Josephine Gaeffke
145 Commonwealth Road
Rochester, NY 14618
LECTURES AND CLASSES
DAS WOHLTEMPERIERTES KLAVIER: “En Concierto” Radio Universidad Guadalajara. Mexico, 2005.
DAS WOHLTEMPERIERTES KLAVIER: XHGJG-TV canal 7.Guadalajara, 2005.
BASSO CONTINUO: College Conservatory of Cincinnati, 2001.
PUBLICATIONS
THE GOLDBERG PROJECT: Impronta Casa Editorial, Guadalajara, 2015
(2012) In Therapy with Armin: 2003-2011. The Person-Centered Journal, 19(1-2), 153-156.
EDUCATION
THE JUILLIARD SCHOOL, M.M. in Harpsichord, 1991. Major teacher: L. Party.
UNIVERSITY OF PENNSYLVANIA, B.A. in Music, 1988.
CONSERVATOIRE NATIONAL DE REGION DE LILLE, 1985-1986.
CONSERVATOIRE NATIONAL DE AIX-EN-PROVENCE, 1982-1983.
MASTER CLASSES
Jesper Christensen, 1997. Gustav Leonhardt, 1995. Colin Tilney, 1991. Arthur Haas, 1991. Lisa Crawford, 1990. René Clemencic, 1989. Kenneth Gilbert, 1983.
SELECTED ENGAGEMENTS
EASTMAN BROADBAND: Festival international Cervantino. Mexico, 2010.
PLUCK, POUND PEEL: Society for New Music. Syracuse NY, 2010.
LECTURE-RECITAL: Ricardo Zohn-Muldoon. Rochester, NY, 2010.
THE GOLDBERG VARIATIONS. Philadelphia, 2010.
CHEMBALO KONZERT. Germany, 2006.
WOMEN IN MUSIC FESTIVAL. Rochester, NY, 2006.
RECITAL DE CLAVECIN. Guadalajara, Mexico, 2005.
ARDO! Bayreuth, Germany, 1999.
MEXICAN CONTEMPORARY MUSIC FESTIVAL, Cincinnati, OH, 1999.
WQXR RADIO BROADCAST, Morgan Library, New York, NY, 1991.
CELESTIAL SIRENS: Music by Women from Italian courts and Convents, Philadelphia, 1991.
UNIVERSITY OF PENNSYLVANIA ORCHESTRA, Philadelphia, 1990
KEYBOARD MUSIC FROM THE MANUSCRIPT OF F. HOPKINS, Philadelphia, 1987.
SELECTED REVIEWS
“Josephine Gaeffke ... presented herself not only as a virtuoso, but also as a sensitive interpreter. This was manifested not only again and again in her accompanying of the singers, but also in her solos. In Bach’s French Suite in Eb (BWV 815) she displayed a remarkable facility at using all the registers as well as an abundance of artistry. Therewith she astounded everyone with a rich palette of sounds and a range of expression not conventionally associated with the harpsichord. She could serve as a model for some pianists.” Nordbayerischer Kurier, 1998.
"a musical talent is here: WOW." Edward Parmentier, Spivey Competition, 1991.
